Karen Vanmol

Formica revisited as contemporary jewelry

Karen Vanmol lives in Antwerp and teaches jewellery design in Brussels. As an atypical artist, she starts from a medium that we have all known in our daily life: Formica or laminate. It is with an amused look, full of memories that we appreciate her work. Karen cuts, assembles, plays with geometry and misaligns her coloured pieces by favouring asymmetry.

Andrea Borst

Organic, poetic jewelry

Andrea Borst, who lives and works in Munich, creates delicate pearls in subtle shades of colour by using a bundle of lamps (torches). Depending on the shape, depending on the light that diffuses through it, the jewel becomes water, mineral or plant, always with endless poetry.

Majoral

A dialogue between the plant world and precious metals

Legend has it that Enrike Majoral began creating his jewellery in the 1970s on the street. He is now established near Barcelona, on the island of Formentera. In his work, research and precious metals interact with the vegetation that surrounds him. Jewellery that is as much an invitation to daydreaming as to the effervescence of a Mediterranean summer evening.

Kana Umeda

A light rain of glass

The jewellery of the Japanese designer Kana Umeda evokes a light rain of glass with a crystalline sound. Under the brand name _cthruit [see through it], she creates jewellery in minimalist and contemporary shapes that are pierced by light. In constant research, from Kanazawa (Japan) to Brussels, she explores and crafts her medium like a goldsmith shapes metal.

Visit the artist’s official website

En mai 2023, nous avons eu le plaisir d’organiser un pop-up dédié au travail de Kana Umeda.

Anna Vlahos

Plant lace in white or oxidized silver

“Alabas Meander”, “Leky vessels”, “Little forest”, these are the names of Anna Vlahos’ collections, a trip between Australia and Greece, her current country of residence. This artist offers us vegetal lace in white and oxidized silver, available in the form of earrings, necklaces, rings, and as goldsmith’s work: amulets, to be worn or displayed.

Tania Clarke Hall

Leather craftsmanship revisited in contemporary jewelry

Tania Clark Hall is a Londoner. She revisits leatherwork. From her workshop and her hands comes out light jewellery, with the smell of leather as in the past, but resolutely part of our era.  At the crossroads of cultures, she draws a line, colourful and strong.

Audrey Ickx

Minimalist design

“The feeling is a very present source of inspiration in my work. An infinite search to try to get closer and to translate a moment, an instant, a feeling. Something impalpable, stealthy, that we would like to grasp but that slips away from us. Like a stain on the iris that one tries in vain to look in the face. ‘Schieve’ is a collection of unisex jewellery with a minimalist design.” Audrey Ickx

Esther Heite

Structure in the spotlight, welding as a decor

“Just like a sculptor, I look for a way to transpose my thoughts and observations through matter. I use sketches and models, create my own tools and develop my own techniques to generate a new aesthetic. I try to create things that touch the soul by breaking the rules and limits of the commonplace. Since my graduation project, I’ve worked mainly with stainless steel and fine welding. Rather than trying to hide the soldering points, they have become a central element of my jewelry design.” Esther Heite

Claire Lavendhomme

Tactile jewels where the material is sublimated

Claire Lavendhomme is an artist creator of contemporary jewellery, objects and drawings. Since 1997 she organizes artistic meetings (plastic arts, cinema, conferences, lectures, music). Teacher in the broader context of fine arts, she is responsible for numerous training courses and workshops (jewellery, resin, artistic research) and participates in many exhibitions in Belgium and throughout the world since 1989. 

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Nathalie Tisserand

Un tombé textile, a journey through the 1920s

A slight tinkle accompanies the movement of her jewellery, like the ruffle of a taffeta dress, a light breeze that blows a cascade of colours to the ear. The creations of Nathalie Tisserand, whose workshop is located in Dordogne, France, take us back to the 1920s but are resolutely of our time.

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